compassion, collaboration & cooperation iN transistion
Experiential Space Research Lab Artists
Through the program, artists will develop, prototype, and produce experiential installations, culminating in a public exhibition at Gray Area’s Grand Theater. Together with Gray Area, they will explore how an experience-based ticketing model can provide an additional revenue channel for artists, seeking a sustainable framework for practicing media artists. With this deeper understanding, Gray Area will produce a comprehensive playbook on supporting immersive artists and critically engaged, creative work.
We are proud to welcome these artists into our expanding network of multidisciplinary creators in art, technology, and immersive media. Through this initiative, we look forward to creating space for invention and dialogue to provoke new modes of understanding, experiencing and catalyzing change in our world.
We use digital tools to create art and design projects that benefit society. We test and scale projects with high impact potential, teach digital tools to support artists and technologists, and inspire our community by promoting meaningful new work.
We apply the promise and inspiration of digital art to a broader social context. Our programs are transforming cities into creative outlets, applying technology to solve problems, and shaping how art is created and consumed in the digital era.
[IT] was my maternal grandfather, who had himself survived the carnage
of Scapa Flow in the so-called Great War and the BLITZ in North London
during WWII • who whilst living together with my maternal grandmother and
my own family in a John Laing's maisonette in Borehamwood • encouraged
me to utilise my right-brained left-handed visionary capacity to manipulate
2 dimensional shapes in my head, for the purpose of understanding the
very concept of mathematical times tables and subsequently to draw that
which I could imagine in 3 dimensions, years before I was introduced to the
IDEAS and WORKS of Leonardo da Vinci and Buckminster Fuller.
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In the context of a long standing understanding of the need for
myown involvement with the Gaia Community, from the moment
when Mrs. Thatcher resigned as Prime Minister of the UK, at the launch
of my Art of the Possible event in November 1990; and my
subsequent encouragement through a string of other initiatives, for
others to associate themselves with my commitment to the concept of
an IDEA that Through [ART] ALL THINGS ARE POSSIBLE [NOW] • I
have very recently become a Synergy Member of the Buckminster Fuller
Institute and been invited to get involved with the Trimtab Space Camp
initiative • so having watched the Experiencial Space Research Lab
piece and listened to David McConville's Gaian Systems video and
the expanding worlds of Margullis and Lovelock, I would like to
suggest from my own humble standpoint that THE VERY BEST VIDEO
for all participants to first watch urgently, [IF] in[DEED] they haven't
already done so, IS the film which I have described as "THE MOST
EXPENSIVE EVER" because of the costs involved over decades to develop
and combine all of the equipment necessary and to launch [IT] ALL into
space to enable the production of same • namely Earth From Space.