THE SYNERGETICS SYSTEM OF HOLISTIC THINKING ...

[Michael Grove]

  PAST•PRESENT•FUTURE• as ONE • NOW

  by transforming THE ART of the POSSIBLE

  into THE ART  of  the  REALITY of IDEAS

   Fuller's concern with fine-tuning communication,

   developing and using words that are consistent with

   scientific reality, is one facet of the role of language

   with respect to synergetics  and THERE IS NO BETTER

   PLACE IN CYBERSPACE TO REFLECT on the IDEAS of

   Buckminster Fuller's TRIM-TAB driven concept of

   SYNERGETICS [in4D] than following THIS LINK.

   Synergetics is the name Fuller eventually gave to his

   life-long philosophical explorations, which were

   distilled into a two-volume magnum opus,

   Synergetics and Synergetics 2, published by Macmillan

   in 1975 and 1979 respectively, with softcover editions,

   and a posthumous web-based edition to follow. 
 

   The process of distilling and publishing the two

   volumes was undertaken in collaboration with

   E.J. Applewhite, who wrote Cosmic Fishing to chronicle

   their adventure.  Dr. Arthur Loeb, crystallographer and

   Renaissance man in his own right, wrote the Preface.

   
   The combined Synergetics volumes can be found here.

 

[Michael Grove]

The essence of fourth-dimensional galactic culture is spiritual knowledge through cultivation of the holon. The holon is the entire fourth-dimensional structure of our “soul” and mind, long exiled to the sidelines of materialist skepticism. In the not-too-distant future the occupation with celestial harmonics in the development and cultivation of the holon will replace both science and religion as they are now known and practiced. From the cultivation of the holon and the correct understanding of the fourth-dimensional mathematical principles that govern our rediscovered mental powers, the new technology of radiosonics will evolve.

José Argüelles-Valum Votan - THE DYNAMICS OF TIME

THINK WIDER [≡] THINK TRIM TAB
WHAT [IS] IS AND SURE AIN'T NO ISER

[Michael Grove]

“My biggest inspiration is the artists that I work with,” she adds. “It’s the fact that some of them come from very low-income places and being able to see that, through their art, they can change the course of their generation. That is the most important thing to me.

https://www.theguardian.com/global-development/2024/mar/20/africa-a...