compassion, collaboration & cooperation iN transistion
Dyslexic Renaissance
Visual thinking, visual thinkers, visual technologies, visual giftedness, dyslexia, learning difficulties, brain diversity, creativity, scientific discovery, scientific visualization, computer graphics, entrepreneurial business, art and design, history of science,
visual aspects of cultural and economic history.
.
Tags:
Albums: IN THE MIND'S EYE
The computer-generated information superhighway could launch a new renaissance of creativity for millions of visual thinkers! Some of the greatest minds in politics, science, literature, and the arts experienced undetected learning disabilities that stopped them from assimilating information the same way as their peers. Some of our most original intellects Albert Einstein, Thomas Edison, Lewis Carroll, and Winston Churchill relied heavily on visual modes of thought, processing information in terms of images instead of words or numbers.
In the "Mind's Eye" profiles gifted individuals who used non-traditional methods in their work as it explodes many myths about conventional intelligence and charts new vistas for today's computer visualisation technologies. Thomas G. West examines the learning difficulties experienced by these people and others, and how recent neurological research shows an association between visual talents and verbal difficulties. In the "Mind's Eye" probes new data on dyslexics to see how computers enhance the creative potential of visual thinkers, as well as interactive computer applications to all levels of education and work. Updated with a new preface, epilogue, and expanded notes, this volume could be the clarion call for educators and corporations to mine this untapped resource of highly creative talent in our midst.
" Given that dyslexia is universally referred to as a “learning disability,” the latter experiment is especially remarkable: in some situations, it turns out, those with dyslexia are actually the superior learners."
While dyslexics typically struggle
to decode the written word,
they often also excel in such areas of reasoning as
mechanical (required for architects and surgeons),
interconnected (artists and inventors); narrative
(novelists and lawyers), and dynamic
(scientists and business pioneers).
The Dyslexic Advantage provides the very
first complete portrait of the dyslexic brain.
PERCEPTION IS indeed THE MEDIUM
Bridget Riley is about the changes - progressive, sometimes abrupt, sometimes apparently disastrous - that can take place in a given situation.
The situation is presented in the simplest possible terms
John Russell - Sunday Times - September 1963
One of the most distinctive characteristics of Bridget Riley's art is that it "insists" with such concentration that it changes sensory response into something else.
The experience which Riley offers is closely related to the expression of emotion or, more exactly, to the creation of visual analogues for sharply particularized states of
mind.
The very intensity of the assault which her painting makes on the eye drives it, as it were, past the point at which it is merely a matter of optical effect.
It becomes acute physical sensation, apprehended kinesthetically as mental tension or mental release, anxiety or exhileration, heightened self-awareness or heightened awareness of unfamiliar or even alien states of being.
Bridget Riley Catalogue introduction - David Thompson
Venice Biennale, June 1968
JUST BELIEVE IN THE NEED FOR A SHIFT IN BELIEF
In the instant of our first breath, we are infused with the single greatest force in the universe - the power to translate the possibilities of our minds into the reality of our world. To fully awaken our power, however, requires a subtle change in the way we think of ourselves in life, a SHIFT in BELIEF -
The Spontaneous Healing of Belief - Gregg Braden
https://www.facebook.com/GreggBraden
Add a Comment
© 2024 Created by Michael Grove. Powered by
You need to be a member of Gaia Community to add comments!
Join Gaia Community