ip with NATURE, that establishes a timeless zone for communication and commerce in4D™ by realising the dream of a common language in4D™ and the whole IDEA is to reclaim y[OUR] species lost relationship, as a constituent component of NATURE, through a permanent manifestation of the original concept of THE ART of the POSSIBLE by way of THE ONE : Our Network Evolution.
Never forgetting of course that as Ray Podder has so succinctly proposed: "LOVE IS THE OPERATING SYSTEM" • which will in[DEED] drive THE BLOCKCHAIN of THE FUTURE because • "Every epoch in human history is marked by the appearance of a seemingly insurmountable collection of crisis, accompanied by a series of INSIGHTS and IDEAS that question the foundation of our current reality by evidence to the contrary. In other words, when the nature of inquiry conflicts with the nature of reality, we collectively experience a paradigm shift. Suddenly, the earth is no longer flat, the Sun does not fall off the edge of the sky and fire is no longer a manifest of magic. We are living through ONE of those times."
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ion is presented in the simplest possible terms
John Russell - Sunday Times - September 1963
One of the most distinctive characteristics of Bridget Riley's art is that it "insists" with such concentration that it changes sensory response into something else. The experience which Riley offers is closely related to the expression of emotion or, more exactly, to the creation of visual analogues for sharply particularized states of mind. The very intensity of the assault which her painting makes on the eye drives it, as it were, past the point at which it is merely a matter of optical effect. It becomes acute physical sensation, apprehended kinesthetically as mental tension or mental release, anxiety or exhileration, heightened self-awareness or heightened awareness of unfamiliar or even alien states of being. Bridget Riley Catalogue introduction - David Thompson Venice Biennale, June 1968
…
ss zone for communication and
commerce in4D™ by realising the dream of a common language
in4D™ and the whole IDEA is to reclaim y[our] species lost
relationship, as a constituent component of NATURE, through
a permanent manifestation of the original concept of ...
The ART of the POSSIBLE.
…
that establishes a timeless zone for communication and commerce
in4D™ by realising the dream of a common language in4D™ and the
whole IDEA is to reclaim y[OUR] species lost relationship, as a
constituent component of NATURE, through a permanent
manifestation of the original concept of ...
THE ART of the POSSIBLE by way of THE ONE : Our Network Evolution …
, is constructed a series of concentric terraces that looks like an ancient Greek amphitheater. The largest of these terraces are at the center – they are enormous in size, and descend to a depth of approximately 150 meter, leading to a circular bottom so well drained that it never completely floods, no matter how plentiful the rain.
The concentric terraces are split by multiple staircases that extend upward like spokes of a wheel and enable people to walk from the top to the bottom of the bowl. Six more terraces, in connected ellipses rather than perfect circles, surround the concentric heart of Moray, and eight terraced steps that cover only a fraction of the perimeter overlook the site. The purpose of these depressions is uncertain, but the most widely agreed theory is they used to serve as ‘agricultural research station’.A STUNNING RUIN in[DEED] and SOMEWHAT GRANDER I would propose than that utilised by PINK FLOYD - LIVE AT POMPEII
I AM a great fan of Pink Floyd. THIS particular performance of theirs was ABSOLUTE magic in more ways that one. During the ”traverse of the lower slopes” of my own journey up to the very top of the mountain, the universe had them produce a very rare Active Play Videodisc of the concert, in PAL hi-quality sound and video format, which contained several shots of volcanic lava exploding and traveling over the islands of Hawaii. I used the individual shots on that videodisc with this system to explain and demonstrate the art of the possible to Oxford Universtity Press which led to the production of the Volcano Videodisc and subsequently to the persuasion of Apple Computers of the fact that Interactive Multi-media Communications might be THE next THING to focus on for the future after desk-top publishing.Along came Tim Berners Lee and the rest is history, so to speak.
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eel like giving up.
So, the question is, where are you in your spiritual growth process? Are you willing to put forth the effort to tighten up your life? Are you still attached to controlling the outcome? Do you meditate a little every day on your heart chakra in order to cultivate balance? Do you hassle the details?
If you want to become impeccable, you must clean and polish your being. Clean and polish. Clean and polish. Until it shines like a diamond.
And once it is perfect, you throw it away." - Luce Rene
PERCEPTION IS indeed THE MEDIUM
Bridget Riley is about the changes - progressive, sometimes abrupt, sometimes apparently disastrous - that can take place in a given situation.
The situation is presented in the simplest possible terms
John Russell - Sunday Times - September 1963
One of the most distinctive characteristics of Bridget Riley's art is that it "insists" with such concentration that it changes sensory response into something else. The experience which Riley offers is closely related to the expression of emotion or, more exactly, to the creation of visual analogues for sharply particularized states of mind. The very intensity of the assault which her painting makes on the eye drives it, as it were, past the point at which it is merely a matter of optical effect. It becomes acute physical sensation, apprehended kinesthetically as mental tension or mental release, anxiety or exhileration, heightened self-awareness or heightened awareness of unfamiliar or even alien states of being. Bridget Riley Catalogue introduction - David Thompson Venice Biennale, June 1968…
possible?".
As is known by many I was born a dyslexic in the world of lexics,
but supported by family and life, enabled to truly understand the
mis-guided code of the lexics in order to fit. Since my early awareness
of Jung, Graves, Carson, Harding and Pirsig at Grammar School,
I have followed my own voyage of discovery and know as da Vinci
would know that your lexic masterpiece will forever sit next to
Pirsig's original. You must now think about your own "Lila".
http://letschangetheworld.ning.com/profiles/blogs/what-if
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