collectively
becoming aware of this as well as our very own species
responsibility for the parlous state of our planet today
- and our destiny to awaken from the individual and
collective denial which has brought us to this inevitable
dilemma.
…
WHOLE of THIS is just a "speck"
of the arrow traversing the "blue vortex"
a vision of CONSCIOUSNESS & The Multiverse Theory – IN FACT
CONSCIOUSNESS SUPREME
- absolutely aware of everything The perfect union of EMPTINESS & FORM
INSIGHT arising ...
as a SENSE of SELF
as
Merchants of LOVE ...
.…
hange. Humanity is waging many wars – the literal ones that cause agonizing pain lasting generations, and figurative ones. We are ‘at war’ with our politicians, with neighbors who do not believe as we do, with the people we fear, with the planet, and even with our own thoughts. Much of the conflict in our lives stems from views and habits we have inherited. Our cultural assumptions are embedded not only in our deeply held opinions, or mindset, but literally in our bodies and our language.
For example, driving home from work I passed familiar homes on the circle of split-level colonials and ranch houses where I live. It occurred to me that the words ‘colonial’ and ‘ranch’ and the physical structures themselves carry collective assumptions related to our history of colonization and notions of westward expansion and ‘manifest destiny’. This never occurred to me before, so ingrained is my mindset about ‘housing’.
In this edition of Kosmos Online, Thomas Hübl and William Ury talk about historic trauma and conflict mediation that must occur at this deeper level and how we can all play a part. I’m looking forward to our podcast with Mr. Ury later this month.…
and
metamorphosis. The target production began in 1945, 58 years
before its completion and was a collaboration between Walt Disney
and the Spanish surrealist painter, Salvador Dalí. Salvador Dali
and Walt Disney Destiny was produced by Dali and John Hench
for 8 months between 1945 and 1946. Hench described Dali at the
time, as a "ghostly figure" who knew better than Dali or the
secrets of the Disney film. For some time, the project remained a
secret. The work of painter Salvador Dali was to prepare a six-minute
sequence combining animation with live dancers and special effects
for a movie in the same format of "Fantasia." Dali in the studio
working on The Disney characters are fighting against time, the
giant sundial that emerges from the great stone face of Jupiter and
that determines the fate of all human novels. Dalí and Hench were
creating a new animation technique, the cinematic equivalent of
"paranoid critique" of Dali. Method inspired by the work of Freud on
the subconscious and the inclusion of hidden and double images.
Dalí said: "Entertainment highlights the art, its possibilities are
endless." The plot of the film was described by Dalí as "A magical
display of the problem of life in the labyrinth of time." Walt Disney
said it was "A simple story about a young girl in search of true
love."My grateful thanks to Jack Austin for bringing this animation to my attention • just imagine 4,733,899 views on YouTube and I didn't even know it existed. I shall make this a YouTube favourite nOw on our new Virgin multi Media high-speed home network .
…