difference between the virtual world and the real world. I had hoped at the time that some common sense be applied to this evolutionary development, but common sense was obviously thrown out of the window with respect to Enron, Worldcom, Madoff et al and following The Great Financial Implosion the trend obviously continues.
As Max Keiser explains in his program above a family living in both the real world and its virtual equivalent has already allowed its real child to die of starvation at the expense of cow-towing to the needs of the virtual equivalent. Indeed as Benedict Brogan has detailed in his Daily Telegraph article entitled "We judge Brown a failure - but his success haunts the Coalition" ... as resistance to the Coalition’s work takes hold, Mr. Cameron should realise that this is as Mr Brown planned it.
He is the invisible enemy, but the point is that he hasn’t gone away – he’s all around us.
A young man without socialism doesn't have a heart.
An old man with socialism doesn't have a head !
I would suggest that this IS SO because Mr. Brown has convinced a large proportion of the British people that the virtual world which he has created is free of any cost and bears no resemblance whatsoever to our bankrupt real world which is based on a model of continuing growth and finite resources.…
Added by Michael Grove at 12:49 on February 18, 2011
tion requires that the dead be buried facing Mecca and that Muslim butchers face Mecca when killing animals for meat. It was Al-Khwarizmi who wrote about the practical use of decimals and also clarified and popularised a method for solving certain mathematical problems. He explained the method in his work
The Book of Restoring and Balancing.
The term al-jabr in its Arabic title, Kitab al-jabr wa’l-muqabala, is the source of the English word algebra. Algebra, says science writer Ehsan Masood, is considered “the single most important mathematical tool ever devised, and one that underpins every facet of science.”Centuries later, Western mathematicians, including Galileo and Fibonacci, held al-Khwarizmi in high esteem because of his clear explanations regarding the use of equations. Al-Khwarizmi’s descriptions paved the way for further studies in algebra, arithmetic and trigonometry. The latter enabled Middle Eastern scholars to calculate values for angles and sides of triangles and to advance studies in astronomy. In time, al-Khwarizmi’s works were translated into Latin.
The Italian mathematician Fibonacci (c. 1170-1250), also known as Leonardo of Pisa, is generally credited with popularizing Hindu-Arabic numerals in the West. He learned about them during his travels in the Mediterranean world and thereafter wrote his Book of Calculation.
.…
which mitigate the establishment of that transition. No better perspective of these 'self-serving forces', has been created in his mind, than that proffered by Ralph Steadman in his Art Work; and most particularly his own very particular ...
'take on the Universal Declaration of Human Rights'. As most of you are already aware Leonardo da Vinci provided an early influence, in regard to my study of Art at Grammar School, which has subsequently been very much enforced by Steadman's own life long appreciation of Leonardo da Vinci.
The recurring theme of humanity in his work also shows up in his passion for other socially relevant causes. In 1994, he illustrated the front and back covers of Amnesty International's Drawing Blood, and in 1998 he did a series of drawings for the Universal Declaration of Human Rights, celebrating its 50th anniversary of passing. They even had him write the introduction, wherein he stated:"'I have the right to hold an opinion, express it, celebrate it, broadcast it, live by it, and travel with it anywhere I so desire and what's more convince others, by peaceful means, that they should hold that opinion too.'"That in essence is Article 19 of the Universal Declaration of Human Rights and entombed within it is the right of any artist of any faith, impulse or inclination to express him/herself with unbridled passion and conviction sufficient to bestow upon the world a Pandora's Box of riches or curses we could probably live without."He continues, "Article 19 is obviously a dangerous one amongst twenty nine other equally important human agreements, but it is probably the one article which keeps well hidden within its carefully unbiased structure the undeniable fact that its content releases the power of the individual to be both artist and maniac. The 1948 United Nations Assembly had unwittingly created a monster, an embarrassing loophole, a well-meaning but desperate humanitarian gesture. In their earnest intention to neutralize any future tyranny in the shadow of the recent Holocaust freedom of communication was paramount."
…
which mitigate the establishment of that transition. No better perspective of these 'self-serving forces', has been created in his mind, than that proffered by Ralph Steadman in his Art Work; and most particularly his own very particular take on the ...
'Universal Declaration of Human Rights'. As most of you are already aware Leonardo da Vinci provided an early influence, with regard to my study of Art at Grammar School, which has subsequently been very much enforced by Steadman's... own life long appreciation of Leonardo da Vinci.
The recurring theme of humanity in his work also shows up in his passion for other socially relevant causes. In 1994, he illustrated the front and back covers of Amnesty International's Drawing Blood, and in 1998 he did a series of drawings for the Universal Declaration of Human Rights, celebrating its 50th anniversary of passing. They even had him write the introduction, wherein he stated:"'I have the right to hold an opinion, express it, celebrate it, broadcast it, live by it, and travel with it anywhere I so desire and what's more convince others, by peaceful means, that they should hold that opinion too.'"That in essence is Article 19 of the Universal Declaration of Human Rights and entombed within it is the right of any artist of any faith, impulse or inclination to express him/herself with unbridled passion and conviction sufficient to bestow upon the world a Pandora's Box of riches or curses we could probably live without."He continues, "Article 19 is obviously a dangerous one amongst twenty nine other equally important human agreements, but it is probably the one article which keeps well hidden within its carefully unbiased structure the undeniable fact that its content releases the power of the individual to be both artist and maniac. The 1948 United Nations Assembly had unwittingly created a monster, an embarrassing loophole, a well-meaning but desperate humanitarian gesture. In their earnest intention to neutralize any future tyranny in the shadow of the recent Holocaust freedom of communication was paramount."…
Added by Michael Grove at 17:44 on September 5, 2011