ic example of the ineffectiveness of America's condescending attitude towards Africa. Invisible Children turned out to be a scam, one of the filmmakers was arrested for wacking off in public, and most importantly, nothing ever happened to Kony and his army is still at large."
Where do the good ideas come from?
as of 11/11/2011 - THE very best IDEAS come from HERE
BUT THE BEST IDEAS comes from HERE
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. The pictures are really boring! I wonder why that is? But there is always something to be amazed about even if the leaves didn't capture your imagination! I love reflections in glass…
mimi said
Love the photo - it's a reminder to me that the Outiside is always looking in ;>) You just happened to capture it for us. Cool!
helenrscpsaid
I love this picture too…it's a great reminder that we can't force it, but if we're open and receptive to it, there is amazing beauty and creativity everywhere.
Centria said
Oh Martha this is incredibly beautiful! I have been staring mesmerized at it. You have brought the Inside/Outside together as One. And isn't it interesting how your mind wanted to photograph the leaves and you were trying so hard…but it's almost like Spirit drew you to the place where there was energy. Where Spirit wanted to share with the world. I am so glad you decided to play! P.S. added carrot to the juice for the first time this morning. It was really yummy. And I think of you almost every single time I juice. And thanks for your kind words about the blog.…
ion is presented in the simplest possible terms
John Russell - Sunday Times - September 1963
One of the most distinctive characteristics of Bridget Riley's art is that it "insists" with such concentration that it changes sensory response into something else. The experience which Riley offers is closely related to the expression of emotion or, more exactly, to the creation of visual analogues for sharply particularized states of mind. The very intensity of the assault which her painting makes on the eye drives it, as it were, past the point at which it is merely a matter of optical effect. It becomes acute physical sensation, apprehended kinesthetically as mental tension or mental release, anxiety or exhileration, heightened self-awareness or heightened awareness of unfamiliar or even alien states of being. Bridget Riley Catalogue introduction - David Thompson Venice Biennale, June 1968
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ion is presented in the simplest possible terms
John Russell - Sunday Times - September 1963
One of the most distinctive characteristics of Bridget Riley's art is that it "insists" with such concentration that it changes sensory response into something else. The experience which Riley offers is closely related to the expression of emotion or, more exactly, to the creation of visual analogues for sharply particularized states of mind. The very intensity of the assault which her painting makes on the eye drives it, as it were, past the point at which it is merely a matter of optical effect. It becomes acute physical sensation, apprehended kinesthetically as mental tension or mental release, anxiety or exhileration, heightened self-awareness or heightened awareness of unfamiliar or even alien states of being. Bridget Riley Catalogue introduction - David Thompson Venice Biennale, June 1968
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